The Lobby

You check your watch as the cab drops you off at your destination.  Nine o'clock exactly.  The voice on the phone said to be at the penthouse by midnight.  Plenty of time to spare.

This is the place.  Above the door, the building's name in cursive: The Well.  Once one of the most sought-after addresses in the city, now fallen on harder times.

Gray stone rises in a piled mass from street level into the night sky. Spires fade into the mist hundreds of feet above.  A cornice obtrudes above the first level, leering faces of monkeys and crows alternating along its length.  From the corners gargoyles look down, stone eyes so real you almost think their lids could flutter.

You pull the door, a thick oaken slab that creaks resentfully as it opens. Beyond stretches a long hallway, marble floor laid in a black and white checkerboard pattern.  Bronze fixtures wired with buzzing electric lights give no more illumination than candles. Your steps echo lonely and loud. Halfway down you stop before a bank of elevators, their mirrored surfaces tarnished.

In a recessed area an old black janitor dabs half-heartedly at a water stain with a mop, his back stooped, his head bent.  He gives you a brief glance and returns his gaze to the floor.  Despite his apparent disinterest, you feel he's somehow keeping an eye on you.  What secrets does he know?  Many, probably.  People would feel free to say or do anything in front of him, maybe never even noticing his presence.

You spot a movement in a shadowed corner, a cat, almost invisible until now.  Black fur, yellow eyes flashing as his head turns.  He too watches your every move.  Like the janitor, he misses little but keeps his own council.

At the elevator, you press a button and it lights up.

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Cat's Eye View (Elevator)

The cat waits in the inky shadowed corners, patient until someone comes in to open up the silver box. Finally, someone enters the lobby. The cat's ears perk up, one eyelid rises. It's the old lady, carrying a paper bag of groceries.

He's no big fan of the old lady, but she has the power to open the box same as any person. She presses the button on the wall and waits, and boards when the doors open. The cat waits until the last moment and shoots in.

"Out, you horrid thing!" the old lady cries, but it's too late for the doors close, missing the cat's tail by bare inches. "Ooh, you did that on purpose, I know you did!"

The cat ignores her, sitting on his haunches and licking a paw nonchalantly. The bell rings at each new level, and when the elevator comes to a stop, he strides off with nary a glance behind him.

"Don't you dare try to run in my apartment, you vile little devil!" she calls after him. But the cat has business of his own and disappears around a bend in the hallway. Muttering under her breath, the woman puts the key in her lock and opens her door.

Cat's-Eye View

The cat purrs and lets the girl rub him on his furry head. That feels so good! But soon he's had enough and he jumps to the windowsill.

He crouches and leaps down to the windowsill on the floor below, not frightened at all of the distance or the possibility of falling. With a tail and a keen sense of balance, falling is not even a possibility that crosses his mind. On this floor lives the old man who sometimes has a bit of tuna fish in a can for him.

Another leap and he's at the second floor, and then an easy drop to the stone surface of the courtyard. Here he can go down the corridor and wait for somebody to open up the strange metal box, where if you wait inside a few minutes, when you come out again you're in a different place.

He sniffs around the courtyard. No birds today. Maybe he should slip down the gutter and squeeze through the crack in the wall that takes him to the basement, where his mate stays now nursing her kittens.

Fourth Floor (Jayla's Story)

I got a secret. I ain’t tellin’ it to nobody never.
I can fly. I know you ain’t gonna believe me, but Mr. Otis knows. He’s the janitor here. He’s about a hundred years old, but I like him anyways. He’s real nice. He lets me go down and visit him in the basement after he’s done workin’. He showed me where all his tools and things are, and the hiding place where the mama cat got kittens. It’s kinda scary down there, but I feel brave when I’m with him.
It’s nice to be in a place where I got my own room, and everything. Before, Mama and I lived in the shelter. A long time ago, when I was five, we had our house with a yard, but Mama lost her job and we had to move out of there. Too bad, ‘cause that was a good place. I used to lie in the grass in the backyard and just look up in the sky. All the pieces of grass would tickle my skin. At night there if I was real quiet in my bed I could hear things, like cars going by or grown-ups talking on the sidewalk or things like that.
I can hear things here at night too. Mama keeps the windows closed and the air conditioning on ‘cause she says the air in the well ain’t no good. She even put locks on the windows, but I know how to open them. At night, when it’s quiet, I open the window in my own room just a crack and listen. And what I hear is voices. Whispery voices, but they ain’t scary. They tell me all kinds of things.
At the shelter I didn’t listen at night. In that place, I shut my ears and tried to get to sleep as fast as I could, but it didn’t usually work. I didn’t like listening there, ‘cause everybody’s voices was all grouchy all the time. We had our own partition, but it wasn’t like having your own room. And when we slept our beds were two cots that Mama covered with a sheet ‘cause she said they weren’t clean.
Mama’s voice was grouchy all the time there, too, and her eyes kind of tired with bags under them. I even celebrated my sixth birthday there. We couldn’t afford to have a party, but Mama got me a present anyway. It was a colored pencil set ‘cause I like to draw so much. I used to draw mostly things from our house I could remember. Jordan remembered my birthday too, and he even got me something. I was so surprised!
Jordan was a boy at the shelter who was a teen-ager, and he was my friend there ‘cause there weren’t any girls my age. And what he got me for my birthday was a box of chocolates. That was very thoughtful of him, I think. I didn’t eat them all at one time, I saved them and had one each night, and that box lasted twelve days.
I sure didn’t like the shelter. They had shower facilities there, but there wasn’t enough of them, and I didn’t always get to take a shower every day. At school, some of the other girls in the first grade said I didn’t smell good. I got pretty mad at them, and the first time it happened I used my fists, even though I’m supposed to use my words. But when they did it after that, I just pretended like I didn’t hear them, even though I did. Mostly it was because Mama said she had enough trouble without me making her come down to the school to talk to the principal. But partly it’s ‘cause those girls were telling the truth.
But here we got our own bathroom in the apartment, and I can take a shower every day. Or a bath, if I want to, but I don’t ‘cause I ain’t little anymore. Our beds are clean here, and Mama can even do the clothes in the basement for free, ‘stead of a Laundromat where it costs money. She can do all that ‘cause she got a job, yay!
All the time we was at the shelter she was always lookin’, and havin’ to go fill out forms and see if different places wanted her to work there. But finally, a place did want her to work, and it was a doctor’s office. First she had to do an interview, and that was on a teacher workday so I wasn’t at school. ‘Cause of that, and since they wouldn’t want a kid there, I stayed at the shelter where Jordan was supposed to babysit me.
I really wish that he didn’t babysit me that day.
But then the doctor’s office called back, and they were interested to hire Mama. They couldn’t give her too much money, but if it worked out she might get a raise after six months. And guess what. It’s already been almost six months! After she got the job and worked there for a while, we could move here.
I was the one who spotted it first. We was ridin’ on the city bus to get to the Dollar General so Mama could get some new clothes for work. I was lookin’ out the window when I saw it, and it looked so beautiful, like a castle. I poked Mama and pointed at it. I knew it was a good idea then ‘cause when she saw it her eyes were happy, like they used to be all the time. But then she said it didn’t look like the kind of place we could afford and so I asked her please, please, could she check. And she did, and guess what, we could afford it!
It’s not as nice as our house used to be, but it’s pretty close. And here I got Mr. Otis. He really helped me out one day, and that was the day I learned I could fly. ‘Cause I been listenin’ to those voices at night, with my window cracked open. And at first I couldn’t hear what they was sayin’, but then I figured it out, and they wasn’t really talkin’ like with words, but more with feelings. And those feelings was tellin’ me I could do whatever I wanted, and go wherever I wanted. I just had to believe in them. And where I wanted to go was in the sky, and fly as far as I could.
So I opened the window up all the way, and I got up on the window sill, and I was scared at first but then I just did it, jumped right out. And those voices was right, ‘cause I floated right there and I could’ve flown away like a bird. Except that was when I remembered about Jordan and that day and my secret, and remembering that made me heavy. My whole body, starting way deep down inside me and spreading out to every part of me, like somebody was squeezin’ clay all through me. That clay made me heavy and I started to fall, and I fell right down the middle of the well.
And I was pretty scared ‘cause I thought I might even die, but you know what happened? Mr. Otis was right there, and he caught me in his arms. I was a little surprised, ‘cause how do you think he knew I wouldn’t be able to fly on that night? After that he took me upstairs and knocked on our door and told Mama what happened. Mama cried and she shook all over and then she hugged me and yelled at me until I wasn’t sure if she was mad or sad or happy.
Later, after Mr. Otis left, she asked me why did I do it, why did I jump out that window, and I told her about the voices. I could tell she didn’t believe me, though, and it kind of made her cry some more so I stopped talking about it. And the next day Mr. Otis came up and that’s when he put the locks on. But like I said, I know how to open ‘em anyway.
But that’s why I ain’t never tellin’ my secret to nobody. ‘Cause I know I can fly now, if only I can keep from remembering about that day. And if I don’t tell nobody, and don’t never think about it again, I can forget it. Then I’ll be light again, and I’ll be able to fly wherever Iwant.




What is the Well? What is an interactive novel?

What is the Well?

The Well is the nickname for an old high-rise apartment building in the heart of the city. It received its name because it was built around a circular central courtyard which every apartment looks out on. It was finished in the 1920s in the neo-Gothic style and for a time was the city's most fashionable address. It has since languished, becoming more dilapidated with each passing year. Yet, it is still inhabited by a variety of residents: poorer folks, with no place else to live; a few well-off elderly, who moved in once and have never left; and some in-betweens who've ended up here in one way or another.


What is an interactive novel?

The Well is an interactive novel. You, the reader, help make the story by following different links embedded in the writing. Every reader will choose his own pathway through the story, producing a unique reading experience. Think of it as a Choose-Your-Own-Adventure novel for adults. If you get to the end of the story and want to try a different path, feel free to go back to the beginning and see what else The Well has to offer. It will also be updated from time to time with new stories and fragments, so if you haven't visited in a while, it may prove worthwhile to take another trip.






About the Author

Nicholas Bruner writes short stories and novels.  He has worked in the Washington, DC, area for fifteen years as a technical writer for various defense agencies. He would tell you more, but he would have to bore you to death.

He has also worked as a carnie at Opryland, a summer camp counselor in Hungary, a construction worker in Germany, a swimming pool installer, an assistant for an explosives crew, and a pizza deliverer. (All true.) He is looking to add novelist to his list of unlikely job titles.

He lives in Fairfax, Virginia, with his librarian wife and two children. He intends to spend any proceeds from selling his stories and novels on vintage comic books and jazz albums before his wife can intercept the money and put it in the kids’ college funds.


Fourth Floor

There's one occupied apartment on this level. These lower floors are occupied mostly by working families or seniors getting by on social security checks and meager savings. This one's no different. Young single mother and daughter, only recently moved in.

You knock on the door.

"Oh, you comin' to see us now? I got the rent check in on time. Talk? About what? Huh, the incident. Well, let's talk about it. Oh, not with me? With Jayla. Well, she in her room in back."



The Lobby (2)

The lobby is now empty.  Your footsteps echo on the marble floors.  You check your watch and realize you'd better be on your way.

At the elevator, you press a button and it lights up.

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BB

The elevator descends and the doors slowly open.  You step out into a room of cinderblock walls, lit by a single flickering bulb hanging uncovered from the ceiling.  The concrete floor tilts towards a drain in the center.

A huge industrial-sized boiler runs along one wall, rusty pipes clanking and juddering with the effort of pumping heat into the building above.  On the other wall loom a pair of huge water heaters and a giant junction box.  A web of connections crisscross each other, split wires spilling their copper spines into the wire, twisting and wrapping around switches and fuses.  You can feel it hum as you step by, and when you lift an arm the shift in the electric field sends a cascade of sparks across the floor.

You hurry to a pair of doors at the far end of the room.  The first is locked, the second also.  Behind the second you hear a rustling.  At that moment, the bulb goes out.

In the complete darkness sounds become louder.  The humming behind you and the rustling behind the door. A creak and the rustling comes closer.  Something brushes against your leg.  Your heart thumps and a trickle of sweat runs down your temple. You are not sure if you should reach down or just run.

There is a click in the dark, and the bulb flickers back on. At your feet is the black cat, now purring and rubbing against you.  Relieved, you breathe out.

You notice the second door is open a crack. With some trepidation you push it in.

A utility closet: mops, brooms, dustpans, and in the corner, a mother cat with four mewing kittens.  She glares at you angrily for disturbing her.  You gently close the door, and try the first one again.  Still locked.

There is nothing else for you to see here, so you return to the elevator.

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